The idea being that if a Musescore user wants to have mixed solfege sharps and flats, they will have to forgo dynamics: change all the default note velocities to 125, and then increase the velocity by 1 or more to the desirable change in the accidental syllable.Įventually, it would be great to have a Musescore plugin to automatically adjust the velocities based on the accidental type-e.g., change all natural and flat notes velocities to 125, double-flats to 126, sharps to 126 and double sharps to 127, for instance. In situations where both solfege flats and sharps are wanted in the same measure, I plan on having the default accidental velocity be between 0-125 (e.g., flats) and 126 for double accidentals, and 126-127 for harmonic equivalent accidentals (e,g, sharps and double sharps). Once I have released the initial soundfont, which will just be in the key of C and have single accidentals, I plan on adding solfege scale presets for all the keys and for double sharps and flats. Since it is not possible to designate different sounds, in this case syllables, for flats and sharps (they are treated the same in midi), I plan on offering two default soundfont presets-one for flats, the other for sharps, in otherwords a soundfont with two-velocity layers.
Others have proposed such a soundfont in the past ( ).īy chromatic solfege, I mean Do Di Re Ri Mi Fa Fi So La Li Ti Do, when ascending/sharpening, and Do Ti Te La Le So Se Fa Mi Me Re Ra Do, when descending/flattening solfege. "do" is always "C-natural") and 2) movable do, where the syllables are assigned to scale degrees ("do" is always the first degree of the major scale).Since I can't find any online, I am working on a Chromatic Solfege soundfont for ear training and other educational purposes. There are two current ways of applying solfège: 1) fixed do, where the syllables are always tied to specific pitches (e.g. The tonic sol-fa method popularized the seven syllables commonly used in English-speaking countries: do (or doh in tonic sol-fa), re, mi, fa, so(l), la, and si (or ti), see below). Through the Renaissance (and much later in some shape-note publications) various interlocking 4, 5 and 6-note systems were employed to cover the octave.
#SOLFEGE CHROMATIC PLUS#
The Solfege Syllables, Do Re Mi Fa Sol La Ti, plus Di Ri Fi Si Li, and Te Le Se Me Ra, are assigned to the notes of the scale and enable the musician to audiate, or mentally hear, the pitches of a piece of music which he or she is seeing for the first time and then to sing them aloud a cappella. The Tonal Ladder is a design which represents the distance (intervals) between tones of the musical scale.
This pack contains 5 of the STUDENT PRACTICE MODEL made of paper with dimensions of 5-1/2 inches Wide by 17 inches High. I designed this "The Tonal Ladder" with CHROMATIC SOLFEGE in 1978 and used it while teaching classroom music in 1973 to 1981. Kids love to have their own with CHROMATIC SOLFEGE Singing Ladder.
0 kommentar(er)
